wshbd design studio

Cross disciplinary design practice covering works in all area of design, with a focus on editorial and web design, caring about white space and differences between dashes.

  • Max Stirner

    Book & Apparel

    A sculptural object, a physical space for thought. Comes with a bag that unfolds into a blanket, inviting two people to spread out, read together, and connect. This bilingual edition transforms Stirner’s philosophy into something tangible, where individualism and connection are intertwined in a way only Stirner could inspire. It’s more than just words on a page—it’s a piece to be experienced, held, and shared.

  • MET Museum

    Web App

  • sizl

    Visual Identity

    For the tech elite who want luxury meals but no time to cook—enter sizl. This dark kitchen startup needed a visual identity that screams sophistication without trying too hard. Sleek logos, elegant packaging, and a vibe that says, "Your time is too valuable to cook." sizl is about high-end, fast meals for people who want to dine, not eat. Convenience, meet class.

  • Museon

    Development

    Generative blobs meet the aesthetic of engineering drawings, and the result is pure harmony. This piece brings together precision and fluidity, turning what could be technical into something almost poetic. It’s a dialogue between order and chaos, with plenty of room for interpretation.

  • [1/7]
    B08
    Ole Kvalvaag

    Visual Identity

    Playing with the rhythm of typography like a DJ manipulates sound, this visual identity stretches and distorts letters to create something fresh and unexpected. The type isn't confined—it expands, contracts, and flows, capturing the essence of Ole's style. It's about pushing the boundaries of how text can move and feel. Typography becomes more than just words; it turns into a visual beat that resonates long after you've looked away.

  • Exploration of eclectic opportunism as it emerges within art academies, examining the diverse and often unpredictable ways ideas and aesthetics evolve in such spaces. The book intentionally leaves textual descriptions, allowing what is seen to speak for itself through their shapes, textures, compositions and etc. It invites viewer to engage directly with the visuals, embracing ambiguity and the impossibility of pinning down what these objects truly are.