Think of it as a rebellion in fabric form. Fashion doesn’t just sit here—it erupts, like sound given shape. There’s no neatness, no order, just a raw collision of ideas that challenge you to see clothes as something more than what you wear. It’s not about trends or statements; it’s about the chaos that’s left behind when art and fashion collide at full force

De Haagse Stadswijngaard, surrounded by sirens, rails, traffic, and cranes, asked for a new wine label for their 500-bottle batch. Instead, a full rebrand was proposed—shifting from “having fun” to slowness and most importantly sincerity, offering a pause in the city’s rush. The project expanded into a new visual identity, website, label, wine box, and a video series capturing the vineyard’s quiet resistance to the pace around it.

Author explores the intricate relationship between memory and fashion, examining how vintage clothing serves as a vessel for nostalgia and personal history. It touches onto the ways material objects become carriers of remembrance, particularly in the context of immigration, where garments can hold the weight of past identities and lost places.

Think less of a photobook. More of a space between cinema and sculpture: space within the sculptures, space of the photographs, space of spreads, that add another layer forming a different composition. It is a multilayered non-linear narrative where light and transparent paper are the guides through the layers of time.